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Early childhood education has been my life for over 40 years. I have taught all age groups from infants to 5-year-olds. I was a director for five years in the 1980s, but I returned to the classroom 22 years ago. My passion is watching the ways children explore and discover their world. In the classroom, everything starts with the reciprocal relationships between adults and children and between the children themselves. With that in mind, I plan and set up activities. But that is just the beginning. What actually happens is a flow that includes my efforts to invite, respond and support children's interface with those activities and with others in the room. Oh yeh, and along the way, the children change the activities to suit their own inventiveness and creativity. Now the processes become reciprocal with the children doing the inviting, responding and supporting. Young children are the best learners and teachers. I am truly fortunate to be a part of their journey.

Monday, March 9, 2020

The art of pouring

I have been thinking about children in the act of pouring at the sensory table.  On the face of it, pouring would seem to be a simple operation.  But is it?  To look at that question, I reviewed the types of pouring that children did at an apparatus I called Pool noodles and water fall. I taped pool noodles to a crate and inserted funnels on the top end of each noodle.
On the opposite side, I taped a toner deposit container to a curved ramp made from an old rocking chair to create the water fall.

In the picture below, the child poured water from a small metal measuring cup into a clear plastic bottle.  To complete the actual pouring operation, she wrapped her hand around the handle of the measuring cup and twisted her wrist to pour the water into the bottle.
This was the type of elementary pouring that happens at the water table when there is no apparatus.

In the picture below, the child also transferred water from one container to another.  However, first she wedged one watering can through a hole in the bottom of the planter tray.  Using a second watering can, she tried to pour water from spout to spout.
Besides being quite inventive, the child transformed the operation into one that was more exacting.  The child used two hands, one to steady the watering can and one to lift and pour.  It was also exacting because it required more precise eye-to-hand coordination.

In the video below, the child added a different challenge to his pouring.  He stepped up onto a stool and reached as high as he could to pour water into the highest funnel of the apparatus.


High pour from Thomas Bedard on Vimeo.

For this child, the act of pouring became more physical.  Not only did he have to reach with his full extension to pour, but he also had to balance his whole body as he leaned up and over to reach the black funnel.

In the video below, the child added another different challenge to pouring.  She poured water from two different containers at the same time.  To do that, she had to pour water from the metal measuring cup in her left hand using an overhand action.  To pour water from the green plastic cup in her right hand, however, she had to use an underhand motion.


Double pour from Thomas Bedard on Vimeo.

The other interesting challenge for this child was that she was pouring water into holes on a vertical axis.  To get most of the water in the holes required a different type of dexterity and coordination than pouring water down into a container or funnel.

In the picture below, the child added yet another different challenge to pouring.   For her, the act of pouring became one of power.  She lifted a five gallon pail to pour the water into the planter tray.
It took strength to lift the bucket up and rest it on the lip of tray so she could control the rate of water flowing from the bucket.

Is pouring so simple?  I do not think so.  In the book The Hand,  Frank R. Wilson states the following: "To a large extent, we remain ignorant of the fine details of muscular control of rapid hand and finger movement.  There are thirty-nine muscles located in the forearm and hand..." p. 358Wilson was not referencing pouring per se, but muscular control is at the heart of pouring, too. Not only that, but when we start to compile the number of muscles, tendons and ligaments in the upper arm, the shoulder and the rest of the body, I would think our ignorance grows exponentially.

Taken from the examples above, some of  the physical skills needed to pour are flexion, eye-to hand coordination, arm and body extension, balance, dexterity, power, and coordination.  Could pouring be a foundational skill for writing considering that pouring facilitates practice in gripping objects and completing complex hand movements?  If so, we would do well to offer children more and varied opportunities to pour, including precision pouring and power pouring on multiple levels to promote extension and balance so they master the art of pouring.  

2 comments:

  1. Oh, what a superb link with literacy Tom, I really like your conclusion. I'd like to recommend the book "Prehension-The Hand and the Emergence of Humanity" by Colin McGinn; it covers the same hand/cognition ground and reasserts the need for all of us to "be handy"! (Frank Wilson thought it was a good read as well...)

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    1. Thanks for the recommendation Aaron. Your recommendation for "The Spell of the Sensuous" was an excellent read. In fact, I have read it twice so far. Be well my friend.

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