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Early childhood education has been my life for over 40 years. I have taught all age groups from infants to 5-year-olds. I was a director for five years in the 1980s, but I returned to the classroom 22 years ago. My passion is watching the ways children explore and discover their world. In the classroom, everything starts with the reciprocal relationships between adults and children and between the children themselves. With that in mind, I plan and set up activities. But that is just the beginning. What actually happens is a flow that includes my efforts to invite, respond and support children's interface with those activities and with others in the room. Oh yeh, and along the way, the children change the activities to suit their own inventiveness and creativity. Now the processes become reciprocal with the children doing the inviting, responding and supporting. Young children are the best learners and teachers. I am truly fortunate to be a part of their journey.

Sunday, February 16, 2020

Transcending the ordinary

Children's play can seem so ordinary.  However, in that ordinary is the extraordinary.  Maybe there is no extraordinary without the ordinary.

By way of illustration let's look at one child's play at an apparatus I call  Pipes embedded in planter trays.  This apparatus has two PVC pipes embedded horizontally through two planter trays.  The pipes extend beyond the ends of each tray so water empties into tubs next to the table.
A unique feature of this apparatus is that multiple holes are drilled in the top of the pipes.  Since the top of the pipes are a couple inches off the bottom of the trays, children have to fill the trays to a certain depth for the water to begin flowing through the pipes.

In the photo below, the child is pouring water into one of the pipes and catching it with a red bowl as it exits the pipe at the end. 
Pouring water can certainly be considered an ordinary operation.  However, notice that this child has already modified pouring in a couple of different ways.  First, the child uses a little plastic ladle to scoop and pour water into the pipes.  Second, and more remarkably, the child appropriates a plastic syringe and inserts it into one of the holes in the top of one of the pipes.  In essence, he creates a shortcut---an efficient shortcut---for getting water into the pipes so he can use his bowl to catch the water.

Below is the video clip of this child pouring the water into the syringe so he can catch it with his bowl.  The clip shows that the child creates a narrative to his overall operation.  It is a narrative about yummy and yucky sugar. 


Yucky sugar from Thomas Bedard on Vimeo.

At the beginning of the clip, the child pours water from his ladle into the syringe and catches it with his bowl.  When he does that, he declares: "Yummy sugar."  As he moves to the center of the water table to scoop some more water, he further declares: "Not a yucky sugar."  After he scoops water with his ladle and returns to the end of the table, he continues his narrative by saying: "A yucky sugar is too yucky for our oatmeal because it makes the oatmeal yucky."

How does pouring water into a syringe stuck in a pipe that carries the water out of the table into a waiting bowl become a narrative about yummy---not yucky---sugar in a bowl of oatmeal?  I think that is possible because in play, children are able to transcend reality.  They are able to make ordinary materials and objects represent something else.  And often times what those ordinary materials and objects represent are other ordinary materials and objects that fit the narrative they are creating in real time.

Without really understanding the process as an adult, I can appreciate the children's ability to transcend reality to make the ordinary into something else just as ordinary.   Maybe the extraordinary is not those ordinary materials and objects specifically.  Rather, maybe the extraordinary is the ability of children to transcend the ordinary to use those materials and objects to represent something else. In other words, the extraordinary is the creative genius of the children they bring to their play to have ordinary things represent something totally different.   In that case, there is no extraordinary without the ordinary.  

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